writer · photographer · nairobi

i pay attention. things escalate

  1. the sentence has to earn its keep.
  2. the photograph owes the person in it.
  3. strategy should survive contact with people.
  4. yes, there is usually a longer answer

selected writing

begin wherever you disagree.

the full archive →
  1. language and powerI'm Kenyan. I Don't Write Like ChatGPT. ChatGPT Writes Like Me.the defining essay - on Kenyan English, colonial education, and who gets to sound human.8 july 20259 min  →
  2. grief and memoryI just realised that adulthood is a never-ending exercise in grief management.three RIP posts before morning tea, a father, a school uniform, and grief as the work of repair.9 april 202614 min  →
  3. culture and workThe Showman's Proof.what one Nairobi residency revealed about the invisible labour that lets culture become infrastructure.18 april 202615 min  →
  4. public lifeThe Pan-Africanism of it all.a visiting president, a borrowed politics, and the people required to remember what the room would rather forget.12 may 202627 min  →

selected photographs

people. places. proof i left the house.

see the photographs →
A woman seen through the open doorway of a bus in Nairobi
nairobi, between departures.
Portrait of Mufasa in warm red light
mufasa, nairobi.
A speaker and audience held in deep blue stage light
nairobi, listening.

the shared practice

other people’s lives are not raw material.

At Recentred Africa, I design listening and narrative work that has to survive more than a slide deck. Najali began with a baseline attitudinal study and eight focus-group discussions in Kibera and Mathare - before anybody decided what the public message should be.

how the work joins up →

the working life

radio host. agency strategist. BCC practitioner. photographer. Story Lead. apparently I believe in the long route.

follow the through-line →

this man’s mind.

the essays arrive when they are ready. Substack does the admin.